(TORONTO, ON) – Alternative pop duo Lightning Echoes is taking listeners on a spherical journey of sound with their newest release, In Circles, available now.
The Vancouver-based pairing is equal parts singer/songwriter Kaitlin Deavy and producer Alejandro Zarazúa. Having teamed up in February amidst their respective studies on music and production, the multi-instrumentalists were driven by their shared vision of music and human connection.
On In Circles you’ll hear seemingly simple melodies swirling among complex layers of indie, folk, and what the two call “smart pop” elements.
“We wrote In Circle” before officially becoming Lightning Echoes,” explained Zarazúa. He and Deavy studied music technology together and, after being assigned to work together, started opting to consistently until it blossomed into the long-term partnership we see and hear today.
“It was actually part of our final portfolio project for the music program we studied together,” he said. “We wanted some live material for the portfolio, so we invited some friends to the studio and recorded four songs that day.”
This meant it became about more than just the music. Zarazúa and Deavy quickly became in charge of the entire production process, including setup, live audio engineering, cameras and lighting, live mix, audio/video editing, mix, and mastering. The result is a fun, interesting and accessible experience for the everyday listener with special treats for the more experienced ear.
“We like pop music, in the sense that we usually enjoy common time signatures and rhythms, basic chord patterns, et cetera,” Zarazúa explained. “We call it ‘smart pop’ when all these ‘simple’ elements are used to craft a beautiful piece of music, and not just as a formula to produce factory-like radio hits, which seems to be the mainstream meaning of ‘pop music’ nowadays.”
So, how did they get there to craft their brand of ‘smart pop’?
“We talked about it a few times, and our best conclusion so far is that it’s kind of like language … When we write songs, we usually start with a few simple chords or melody, or even just a scale or some melodic idea, and then we play around without thinking too much for a while,” Zarazúa continued. “Since we are also producers, we get to play with the sounds during and after the recording process, so we also have the freedom to think about the soundscape we want to create, and add some smaller details here and there that may be barely noticeable (if at all), but hopefully just add up to make the listener smile, whether they are thinking about the theory/technical side, or just enjoying the tune.”
Creating under a mutual musical language of sorts can often be deeply rooted in a shared value or appreciation of something outside the craft. For Zarazúa and Deavy, that connection is one of humans.
“One of the main things that brought us together in the first place is our approach,” shared Zarazúa. “We both appreciate deeper connections with other humans … Being honest and sharing who we are … Caring for other people and trying to do good in the world … We want to use music as a way to find other people who feel the same way and bring us closer together. In the end, for us, it’s all about pursuing happiness and trying to do something good in the process.”